| Arm-Locks
for All Styles
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Author: Iain Abernethy
(240 X 170mm / 160 Pages / Over 250 b&w Photographs)
Introduction
Arm-locks are found in
most of the martial arts. However, the various systems emphasise
arm-locks to different degrees. In some systems and schools a wide
variety of arm-locks are regularly practised, whereas others may
only include a very small number in their training. Hopefully this
book will help you to expand your knowledge of arm-locks and introduce
you to some locks with which you may not be familiar.
The arm-locks covered
in this book originate from a wide range of differing systems. My
chosen art has always been traditional karate; however, I count
myself lucky that during my twenty-plus years in the martial arts
I've had the opportunity to train with practitioners and teachers
from many different systems. Within the pages of this book we'll
cover arm-locks that are found in traditional karate, judo, kung
fu, traditional jujutsu, modern jujutsu, aikido, etc.
There are only a limited
number of ways to lock the joints of the arm, and therefore the
arm-locks of all martial arts have a great deal in common. However,
the various systems emphasise certain arm-locks over others, have
varying degrees of sophistication and all have subtlety different
ways of applying arm-locks. This book is intended to look at arm-locks
in general and you will need to consult an expert in any particular
system for guidance on the methodology and the preferred techniques
of that system.
In this book we will be
examining the functional application of arm-locks in live situations.
We will cover the core principles, the weaknesses of the joints,
safety in training, wrist-locks, elbow-locks, shoulder-locks and
transition drills that will help develop the skills needed to flow
from one lock to the next. For those who practise a form-based system
(karate, taekwondo, tang soo do etc) we will also look at how arm-locks
are recorded within the traditional forms.
The arm is made up of three
main joints; the shoulder, the elbow and the wrist. Throughout this
book we will essentially be looking at the various ways in which
the weaknesses of these three joints can be exploited. The structure
of the joints is common to all human beings, and therefore the weaknesses
that we wish to exploit are also common. However, the methods used
to exploit these weaknesses will vary according to the environment
in which the arm-lock is being used.
In sporting martial arts,
arm-locks are generally applied in order to get the opponent to
'tap out' and you are facing a skilled opponent with a similar set
of skills to your own. This means that you will need to apply arm-locks
in a skilful and subtle way if they are not going to be countered.
You can only apply techniques that are permitted by the rules, in
a way that is permitted by the rules. The fight is guaranteed to
stay one-on-one and take place on a matted area. You will know about
the fight weeks in advance and will have prepared accordingly. All
of the above will affect the way in which arm-locks are applied
in the sporting environment.
In a civilian altercation
(self-protection), your first option will be to flee, as opposed
to fight for a submission or 'tap out'. If physical conflict can't
be avoided, then your aim is to weaken or stun your assailant so
that you can run away. An assailant in a self-protection situation
is extremely unlikely to be a trained competitor. This lack of formal
training makes them no less dangerous as they may have plenty of
'real life' experience. The lack of formal training, and the lack
of rules, means that counters, feints etc become an irrelevance
as simple directness becomes the order of the day. You can use a
wider range of methods because none are 'prohibited' by the rulebook.
There is no guarantee that the fight will remain one-on-one and
hence strategies that are highly-effective in the competitive arena
become extremely dangerous outside that arena (eg deliberately seeking
and maintaining a ground-fight).
Some principles are always
constant, eg all arm-locks require good leverage, regardless of
the environment, but it is important that you understand which environment
you are training for and hence which techniques and methodologies
are appropriate.
In this book we will be
focusing on the use of arm-locks in the civilian environment. Many
of the arm-locks covered, or versions of them, are used in competitive
martial arts. However, there are a great many additional skills
that the competitive martial artist needs that those who don't enter
such tournaments do not need. It should also be understood that
defeating a highly-conditioned athlete, who has a wide knowledge
of combative methods and ranges, requires a skill level way in excess
of the skills needed for self-defence.
Additionally, many of
the methods used in competitive martial arts are not appropriate
for use outside that environment (eg they are sometimes too complex).
A highly trained and gifted athlete may be able to make just about
any technique work; those who are less gifted should stick to techniques
that are simpler and more direct.
From the outset it is
important to understand that in a self-protection situation, arm-locks
are definitely not 'primary techniques' and fall firmly into the
category of 'support techniques'. Because arm-locks are grappling
techniques - they require you to hold onto your opponent - they
should generally be avoided if at all possible. Your aim should
always be to run away the instant you are able to do so. If you
and the opponent have latched onto one another, it is no longer
possible to run away.
In self-protection situations,
striking is generally the preferred method. You should strike the
opponent - ideally pre-emptively during the dialogue stages of the
altercation - and then flee whilst they are stunned. You should
never actively seek to grapple with your assailant. That said, if
your initial strikes are unsuccessful there is a strong chance that
the opponent will grab you. Some martial arts instructors recommend
breaking the opponent's grip and then fleeing, but unfortunately
it isn't that simple. Once the opponent has secured a strong grip,
it is often extremely difficult to break free. If effective and
pragmatic self-protections skills are your aim, you need to possess
fundamental grappling skills in order to back up your striking.
Once the fight hits close-range,
striking should remain the preferred option. So long as you've trained
to develop sufficient impact, striking is very direct and very immediate.
A solid strike will weaken or incapacitate an opponent and will
give you the opportunity to flee. Grappling techniques generally
take longer to apply and require you to remain in close proximity
to the opponent. It is for these reasons that striking should be
the primary method for self-protection. However, you must understand
that striking from outside grappling range and striking from within
grappling range are two very different skills. It is a mistake to
assume that skill at one distance will automatically lead to skill
in the other. You need to ensure that you practise striking from
within a clinch and that you possess the basic grappling skills
needed to create opportunities for your strikes whilst fighting
at close-range.
In addition to striking,
you should also aim to use very simple and direct grappling techniques
when the fight goes to close-range. Methods such as seizing the
groin, attacking the eyes and biting are highly effective and very
easy to apply. They can also cause great harm to your opponent and
hence you have a legal and moral obligation to ensure that the force
used to defend yourself is appropriate and justifiable.
The hierarchy, as we have
examined it so far, has been:
1 - Totally avoid the situation.
2 - Run away.
3 - Verbally defuse or dissuade
the situation.
4 - Pre-emptively strike
the assailant during the dialogue stages and then instantly flee.
5 - Strike the opponent until
the opportunity to flee is available (avoid latching onto the opponent).
6 - Strike the opponent
from within the clinch and use simple and direct grappling techniques.
If, whilst you are still
fighting from the clinch, the opportunity for a more 'formal' grappling
technique should present itself, then by all means take it. The
opponent may end up perfectly positioned for a throw, lock, choke
or strangle, and you could exploit that opportunity and apply the
technique. However, you should never be looking for such techniques
in the first instance. Take them if they are presented, but be sure
to give striking and the simple and direct methods priority. Throws,
locks, chokes etc are very much 'support' techniques. The 'primary'
methods are striking and the simple techniques we have already discussed.
However, the support methods are still very much a vital part of
the whole. You need to ensure that you are familiar with all the
various methods. After all, a chain is only as strong as its weakest
link.
Before we move on to discuss
some specific issues surrounding arm-locks, I'd like to quickly
discuss the role of ground fighting. The ground is not somewhere
you want to be in a real fight. Becoming involved in a ground fight
makes it much harder to escape due to your vastly reduced mobility.
You are also very vulnerable to the kicks of your opponent's accomplices
whilst on the floor. In today's society, fights are rarely one-on-one
for any length of time. Even 'spectators' to the fight may decide
to get involved if they feel they can get away with a 'free shot'.
If you are in an isolated area, with no chance of immediate escape,
and you are a good ground fighter, then it could be argued that
opting for a ground fight might be a workable strategy. However,
in the vast majority of situations, you don't want to go to the
ground. Despite the desire not to go to the ground, you must appreciate
that real fights often end up there and, therefore, you definitely
need to possess some ground fighting skills.
If you should end up the
ground, your immediate aim should be to get back to your feet (see
my book ' Throws for Strikers ' for advice on how to do
this). Although it is unlikely to be a preferred option, the opponent
may present you with the opportunity for an arm-lock during a ground
fight. Should it be safe and appropriate to do so (eg no chance
of a third party getting involved), you may decide to exploit that
opportunity. However, it must be understood that, in a civilian
environment, ground fighting arm-locks do not play anything like
the same role that they do in the sporting environment. We will
cover a number of ground fighting arm-locks in this book, but you
must never forget that getting to your feet is always the key strategy
if you should find yourself on the ground. In a self-protection
situation, you must never actively go to the ground in search of
an arm-lock!
Having discussed when
we would consider applying arm-locks, we shall now move on to discuss
what arm-locks should be used for. In competitive martial arts,
arm-locks are primarily used to get the opponent to 'tap-out' and
hence forfeit the match (we will look at the use of the tap-system
in Chapter Three: Safety in Training). In a self-protection situation,
arm-locks should never be used in this way. The opponent may feign
defeat or compliance only to continue their assault the instant
the lock is released. Don't believe a single word they say!
Arm-locks are also very
unlikely to work when used as a form of 'pain compliance' in order
to restrain an assailant. You may be able to momentarily control
their motion, but there is no chance of you restraining an assailant
for any significant length of time. To effectively restrain a violent
individual, you would need around four or five people to have any
chance of success.
In live situations, arm-locks
only have two functions. They are either used to injure the joint
or to position an opponent for a following technique (often a strike).
Using arm-locks to injure
joints can give you a significant advantage as the opponent will
then be unable to use the arm in question. However, it's one thing
to get a practise partner to 'tap out', but it takes a whole different
mindset to actually snap or dislocate a joint.
You should always keep
in mind that, in a real fight, your opponent's system will be flooded
with adrenaline and hence their pain threshold will be much higher
than a partner's in the dojo. That, combined with the fact that
you are not trying to get a submission, means that locks have to
be taken further than they are in training. As a decent and compassionate
human-being, it is unlikely that the mental resolve needed to snap
or dislocate an opponent's joint will come naturally to you. It
is also laudable if you are the kind of person who finds such an
action unpalatable. However, a live fight is not the time for morality.
If such an action is required to ensure your safety, then you must
ensure that your mind is conditioned to execute that action.
In a real fight, in addition
to the effects of adrenaline, your assailant may also be under the
influence of alcohol or drugs. This can further increase their pain
threshold. It should therefore be understood that a broken joint
may not be an instant fight stopper. Despite the fact that the opponent
will have difficulty using the injured joint, they may try to fight
on as if nothing has happened! I'm sure we all know of people -
perhaps you've done it yourself - who have shrugged off injuries
as nothing significant, only to realise later on that they may be
more significant than first thought.
The second function of
arm-locks is to position the opponent for following techniques.
As a lock is applied, the opponent will instinctively move away
from the pain caused by the lock in order to protect their joints.
This instinctive action takes place without the conscious thought
of the opponent (just like when you snatch your hand away from something
hot). Arm-locks can be used to exploit this instinctive action and
we will cover this further in the following chapter.
To conclude the introduction,
I'd like to quickly mention the differing styles of martial arts
and the role arm-locks play within them. Many of the arm-locks covered
in this book are regularly practised in grappling systems such as
judo and jujutsu. However, arm-locks are not techniques that most
martial artists associate with systems like karate, taekwondo etc.
In recent years more and
more martial artists are beginning to understand that, to be an
effective fighter, you need to be competent at all ranges of combat
and all the combative elements. This fact was fully understood by
the martial artists of the past. The original versions of most systems
were much broader in their scope than the specialised systems they
have evolved into today. The 'grappling arts' included fundamental
striking on their curricula, just as the 'striking arts' included
fundamental grappling skills on theirs. It is only in comparatively
recent times that the arts have narrowed their focus and become
solely about one particular range or skill.
If you practise a grappling
art then you are probably already familiar with arm-locks and their
methodology. For those who practise a modern 'striking' art, or
a modern version of an older system, you may not presently include
arm-locks in your practise. However, if you examine the applications
of the traditional forms in your system, you are almost sure to
find arm-locks. The forms are, after all, a record of the older
version of your system. We will discuss how arm-locks are recorded
in katas, hyungs and forms in Chapter Two and you will see many
examples throughout this book. Regardless of which art you practise,
all arm-locks have a common set of core principles. It is these
core principles that we shall now go on to examine.
Cost:
£17.49 including UK Postage and Packing
(ROI & Europe + £1.50, Rest of World + £3.00)
Note:
US Dollar prices are displayed in the shopping section of this website
(click on "order"). Also see "terms & conditions".
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